Bar kafe "ANTIREZISTENCA"
- Thread starter GOODFELLOW
- Data e fillimit
Ema
Goddes
Re: Bar kafe "ANTIREZISTENCA"
Me ka met ne menje:
Whenever u miss me:
Keep in mind we'r under the same skyes
and the nights are as empty for me, as for you
if you feel you can't wait the morning,
Kiss the rain,kiss the rain....
kiss the rain....
Hello!
Do u miss me?
I hear you say you do
but not the way i'm missing you
what's new,'bout the weather
there's a storm in where you are...
Me ka met ne menje:
Whenever u miss me:
Keep in mind we'r under the same skyes
and the nights are as empty for me, as for you
if you feel you can't wait the morning,
Kiss the rain,kiss the rain....
kiss the rain....
Hello!
Do u miss me?
I hear you say you do
but not the way i'm missing you
what's new,'bout the weather
there's a storm in where you are...
Ema
Goddes
Re: Bar kafe "ANTIREZISTENCA"
Se mi devi lasciare,
falo in un giorno di pioggia.
Cosi non vedrai le mie lacrime!
Se mi devi lasciare,
falo in un giorno di vento,
Cosi non mi vedrai tremare!
Se mi devi lasciare
falo in un giorno di nebbia.
Cosi non mi vedrai impallidire!
Se mi devi lasciare
falo in un giorno d'inverno
dov'é piu facile morire!
Se mi devi lasciare,
falo in un giorno di pioggia.
Cosi non vedrai le mie lacrime!
Se mi devi lasciare,
falo in un giorno di vento,
Cosi non mi vedrai tremare!
Se mi devi lasciare
falo in un giorno di nebbia.
Cosi non mi vedrai impallidire!
Se mi devi lasciare
falo in un giorno d'inverno
dov'é piu facile morire!
Ema
Goddes
Re: Bar kafe "ANTIREZISTENCA"
Eja, trishtim ,
eja me hapa fletesh qe bien nga deget,
eja me hapa shiu qe keputet nga fletet...
Eja trishtim ,
eja me hapa tingujsh qe dridhen ne mbremje,
eja me hapa zemrash qe rrahin me dhimbje...
Eja , trishtim,
o preher i embel qe nuk me braktise kurre,
o strehe e qetesise sime,
o enderrime te mia,
o gji i shpreses sime.
Eja , trishtim,
trishtim ,
eja
P.s:ja vodha Anes...
Eja, trishtim ,
eja me hapa fletesh qe bien nga deget,
eja me hapa shiu qe keputet nga fletet...
Eja trishtim ,
eja me hapa tingujsh qe dridhen ne mbremje,
eja me hapa zemrash qe rrahin me dhimbje...
Eja , trishtim,
o preher i embel qe nuk me braktise kurre,
o strehe e qetesise sime,
o enderrime te mia,
o gji i shpreses sime.
Eja , trishtim,
trishtim ,
eja
P.s:ja vodha Anes...
Re: Bar kafe "ANTIREZISTENCA"
La Toilette de Venus (Francois Bucher)
This picture was ordered by Mrs. of Pompadour, girl of financier, bride to the nephew of a farmer - general and main of the king. She has put this picture with The bath of Venus in the bathroom of the Castle of Bellevue, where she recovered Louis XV. What explains the extravagance of the picture and its eroticism.
/pf/images/graemlins/tongue.gif
La Toilette de Venus (Francois Bucher)
This picture was ordered by Mrs. of Pompadour, girl of financier, bride to the nephew of a farmer - general and main of the king. She has put this picture with The bath of Venus in the bathroom of the Castle of Bellevue, where she recovered Louis XV. What explains the extravagance of the picture and its eroticism.
/pf/images/graemlins/tongue.gif
Re: Bar kafe "ANTIREZISTENCA"
François Boucher
Interrupted Sleep
In this charming scene, a young herder of goats is using a feather to tickle the neck of a sleeping shepherdess who has fallen asleep after picking some flowers. This totally unrealistic picture -- notice the handsome dress of the young girl, and the huge flowers which would never have grown in the wild -- was part of an extremely popular genre: the shepherdess and her swain.
In his version, Boucher has faithfully followed the pattern, indeed he did much to popularize it throughout France. To the sophisticated ladies and gentlemen of the court, this country-side idyl was a symbol of innocence and purity. Here, in touch with nature, people were assumed to be more "natural" and closer to Rouseau's ideal of the perfect human.
François Boucher
Interrupted Sleep
In this charming scene, a young herder of goats is using a feather to tickle the neck of a sleeping shepherdess who has fallen asleep after picking some flowers. This totally unrealistic picture -- notice the handsome dress of the young girl, and the huge flowers which would never have grown in the wild -- was part of an extremely popular genre: the shepherdess and her swain.
In his version, Boucher has faithfully followed the pattern, indeed he did much to popularize it throughout France. To the sophisticated ladies and gentlemen of the court, this country-side idyl was a symbol of innocence and purity. Here, in touch with nature, people were assumed to be more "natural" and closer to Rouseau's ideal of the perfect human.